The CS3000-SERIES large format cinema screen speakers was designed for high power three- way bi-amplified and tri-amplified reproduction, with unsurpassed sensitivity, clarity, directivity, phase coherency, power handling and max SPL. With hornloaded midrange and highrange design for optimal directivity, and 15” LF with front-loaded tuned bassreflex design for high power low frequency emission. Avaliable bi-amplified with a deticated passive crossover network handling MF/HF needing only two amplifier channels, and in
tri-amplified version where each component has a deticated DSP-controled amplifier channel, using three channels in total. The CS3000-series comes in four models to encompass the need in medium to large format auditorium installations. The MF/HF module is aimable for aligning the speakers depending on need.
3-way Cinema screen speakers small to medium format The CS2000 series was designed for small format cinema theatres in need of 3-way systems, the CS2000 series are run in bi-amplified mode with a passive
deticated crossover for MF/HF, and active crossover for LF/MF, using two amplifier channels in total, also avaliable as tri-amplified, with deticated amplifier channels for each of the three components. The speakers in the series are compact yet powerful, for full frequency responce, the MF/HF is adjustable vertically and horizontally for precise aim. With deticated LF woofer the MF does not need to reproduce the lowerst frequencies, allowing for better optimization in the MF frequencies. Shallow design allows for installation where there is limited space behind the screen. There are four models in the series to encompass all small to
medium sized cinema theatres
3-way hornloaded Cinema screen speakers for medium format The CS3000-SERIES large format cinema screen speakers was designed for high power three- way bi-amplified and tri-amplified reproduction, with unsurpassed sensitivity, clarity, directivity, phase coherency, power handling and max SPL.With hornloaded midrange and highrange design for optimal directivity, and 15” LF with front-loaded tuned bassreflex design
for high power low frequency emission. Avaliable bi-amplified with a deticated passive crossover network
handling MF/HF needing only two amplifier channels, and in tri-amplified version where each component has a deticated DSP-controled amplifier channel, using three channels in total. The CS3000-series comes in four models to encompass the need in medium to large format auditorium installations.The MF/HF module is aimable for aligning the speakers
XD SERIES
3-way and 4-way high power hornloaded Cinema screen speakers for large format The XD system is a high power 3-way and 4-way series of cinema screen speakers for large format auditoriums where there can be no compromizes, using only the very best components avaliable. Bi-amplified, Tri-amplified and Quad-amplified systems with assymetrical horns, very high max SPL, extremely low distortion levels and massive power-handling. The XD system is a module system that can be installed standard behind-screen but also flewn above screen. Unpunched screens and LEDsreens are coming on strong in the industry with many advantages in visuals, but also introducing a conundrum for how to solve the audio issue. We have designed this system to also be flewn above screen, solving the issue with unpunched screens and LED screens. There are integrated hardwares and flightwares for easy installation
The C.L.A.M. system was mainly designed for architecturally challanging installations in large format cinema auditoriums, often where there are very steep angle of the seats, or where balcony or several floors must be
covered. The line source technology features many advantages compared to standard point-source or horn technology applied in almost all cinema installations, in a true line source system the loss over distance is only -3 dB for each doubling of distance, compared to standard cinema speakers such as horn and point-source, where there is a typicall loss of -6 dB for each doubling of distance. As comparison, a point-source system with 100dB sensitivity @1W, 1m. will have a SPL of 76 dB at 12 m., whilst a line source system with 100dB
sensitivity @ 1W/1m. will have a SPL of 88 dB. at 12 m. and at 24 m. the difference will be 70dB compared to 85 dB, a 15dB difference, with the same output. The C.L.A.M. line source module consists of two 10” woofer reproducing MF, and four 1” drivers mounted on waveguides and horns handling HF, with one or several high power 15” / 18” woofers handling LF depending on number of C.L.A.M. modules in the array and size of theatre. Each module has a H110 x V15 degree dispersion, where each module covers a fixed amount of rows, and where each module is independantly adjustable to match room acoustics. Using the advanced 3D acoustic calculation software EASE for prediction and simulation before installation ensures a perfect result, Using the D-series, system DSP amplifiers with FIR for optimal phase responce and linear coherence
